“The songs are arriving before the answer. For once, I’m not asking them where we’re going — I’m letting them show me.”
the next chapter has begun.
For the first time in a while, I don’t know what I’m making.
And I like that.
The first three chapters of the between series are complete. I can look backward now and see the journey through the quiet between us, the echo between us, and the voices between us much more clearly than I could while I was living - and writing - my way through them.
But looking forward?
There’s no title yet.
No track list.
No thesis I’m trying to prove.
There are just songs.
Some are arriving from things I’m experiencing now. Others are coming from things I’ve understood differently because enough time has passed to see them from somewhere new.
I could start sorting them. I could decide what the next chapter is about and ask every new song whether it belongs there.
I’ve done enough writing now to know better.
The chapter will tell me what it is when it’s ready.
For now, I’m listening.
-
The first songs of this still-unnaked chapter are already here.
I don’t know yet whether they are telling parts of the same story. I’m deliberately resisting the urge to make them.
the way i swam (looking back) and the way i swam (reaching back) began with the same realization:
I forgive the way I swam.
Both arrived at the same shore, but then turn it in different directions.
One looks back at the person who stood safely on shore criticizing the way someone else survived.
The other looks back toward the water and reaches for someone still trying to survive it.
They became my first Sliding Door songs - two songs that share the same truth until a particular moment opens more than one emotionally honest path.
Then came twenty lifetimes.
A very different song.
It begins not with something ending or something survived, but with the strange possibility of something beginning: meeting someone and feeling an immediate connection so strong that an overactive mind has already raced ahead and imagined all the places you might go, all the lives you might share, all the futures that don’t exist yet.
For once, imagining twenty possible futures isn’t anxiety.
Every one of them is beautiful.
I don’t know yet what a pair of songs about survival and a love song about imagined futures have to say to one another.
Maybe nothing.
Maybe everything.
I’m trying not to decide too soon.
These aren’t songs being written to fit the next chapter.
They’re the songs that may eventually tell me what the next chapter is.
-
Something new happened while I was writing the way i swam.
I reached a point in the song where I knew exactly what the narrator understood:
I forgive the way I swam.
I thought that realization would tell me how the song ended.
Instead, it opened two doors.
Through one, the narrator reaches shore and finally looks back at the person who stood safely there criticizing the desperate ways he tried to survive.
Through the other, he reaches the same shore, turns toward the water, sees someone else struggling, and offers the presence he once needed himself.
Both felt true.
Neither felt like an alternate ending.
And trying to force both into the same song made each of them smaller.
So I didn't choose.
I wrote both.
That's how the way i swam (looking back) and the way i swam (reaching back) became the first Sliding Door songs.
The idea is simple:
Same truth. Different journey.
The songs travel together until they reach a point of emotional divergence. From there, each follows a different response that feels equally honest.
One isn't the original and the other the alternate.
One isn't healed and the other unhealed.
One isn't the right door and the other the wrong one.
Sometimes anger is what honesty requires.
Sometimes compassion is.
Sometimes the same person may need one door today and the other tomorrow.
What interests me about Sliding Door songs is the possibility that a song doesn't always have to choose between two truths simply because they can't occupy the same ending.
Sometimes both deserve to be followed all the way through.
So when that happens, I'll open both doors.
And we'll see where they go.
-
I've also stopped believing that finishing a song always means I'm finished with it.
A song captures what I understood when I wrote it.
That matters.
I don't want to go backward and correct an earlier song because life later taught me something I didn't know then. The original wasn't wrong.
It was true when I wrote it.
But sometimes time passes.
Something happens.
A sentence means something different than it used to. A memory changes shape. An explanation I once accepted no longer feels complete.
And suddenly an old song starts speaking again.
That's what happened with honest answer.
Months after writing it, I understood something about my own silence that I hadn't understood the first time. The original song still told the truth. There was simply more truth available now.
So I returned to it.
honest answer, three months later doesn't replace honest answer.
It doesn't correct it.
It stands beside it as another timestamp:
This is what I understood then.
This is what I understand now.
I'm beginning to think of songs less as permanent conclusions and more as photographs taken along the way.
The photograph doesn't become false because the person in it keeps moving.
And sometimes, when enough has changed, I may return to one.
Not to rewrite where I've been.
To let you hear the distance between there and here.
-
I'm trying to pay attention differently this time.
Not just to what a song is about, but to what it seems to be asking us to do.
To survive.
To forgive.
To remember.
To reach.
To let go.
To begin again.
To love someone.
To include ourselves among the people deserving of that love.
Those aren't a track list or a theme for the next chapter. They're not even necessarily where this is going.
They're simply the kinds of movements I'm beginning to notice.
Because I'm becoming less interested in songs that only document what happened and more interested in the question that comes afterward:
What does knowing this ask of us now?
Sometimes the answer might be to look back.
Sometimes it might be to reach back.
Sometimes it might be to imagine twenty lifetimes with someone you've barely begun to know.
And sometimes the answer may simply be to stay exactly where we are for a while and feel something without trying to turn it into a lesson.
I'm listening for all of it.
The repetitions.
The contradictions.
The questions one song asks that another song unexpectedly answers.
The places where something I thought was an ending turns out to be a beginning.
Eventually, I suspect, those patterns will tell me what this chapter is becoming.
Until then, I don't need them to.
I just need to keep listening.
-
I don't know what this chapter will be called.
I don't know how many songs it will contain, which ones will eventually belong together, or what story I'll see when I someday look back from the other side.
There was a time when not knowing would have made me want to find the answer faster.
Now I'm curious enough to wait.
Because the first three chapters taught me that meaning sometimes becomes visible only after you've lived enough of the story to recognize it.
So I'm not going to name this chapter before it introduces itself.
I'm not going to decide where we're going just because we've started moving.
There are songs to write.
Doors to open.
Things to understand differently.
People to meet.
Maybe even twenty lifetimes to imagine.
And somewhere along the way, I suspect we'll recognize what all of this has been becoming.
Until then—
this is where we are now.
And for once, not knowing feels less like something I need to solve
and more like somewhere I'm allowed to be.